Rent (stylized as RENT) is a rock musical with music, lyrics, and book by Jonathan Larson, loosely based on Giacomo Puccini's 1896 opera La Bohème. It tells the story of a group of impoverished young artists struggling to survive and create a life in Lower Manhattan's East Village in the thriving days of bohemian Alphabet City, under the shadow of HIV/AIDS.
The musical was first seen in a workshop production at New York Theatre Workshop in 1993. This same off-Broadway theatre was also the musical's initial home following its official 1996 opening. The show's creator, Jonathan Larson, died suddenly of an aortic dissection, believed to have been caused by undiagnosed Marfan syndrome, the night before the off-Broadway premiere. The musical moved to Broadway's larger Nederlander Theatre on April 29, 1996.
On Broadway, Rent gained critical acclaim and won several awards, including the Pulitzer Prize for Drama and the Tony Award for Best Musical. The Broadway production closed on September 7, 2008, after 12 years, making it one of the longest-running shows on Broadway. The production grossed over $280 million.
The success of the show led to several national tours and numerous foreign productions. In 2005, it was adapted into a motion picture featuring most of the original cast members.
Concept and genesis
In 1988, playwright Billy Aronson wanted to create "a musical based on Puccini's La Bohème, in which the luscious splendor of Puccini's world would be replaced with the coarseness and noise of modern New York." In 1989, Jonathan Larson, a 29-year-old composer, began collaborating with Aronson on this project, and the two composed together "Santa Fe", "Splatter" (later re-worked into the song "Rent"), and "I Should Tell You". Larson suggested setting the play "amid poverty, homelessness, spunky gay life, drag queens and punk" in the East Village neighborhood of Manhattan, which happened to be down the street from his Greenwich Village apartment. He also came up with the show's ultimate title (a decision that Aronson was unhappy with, at least until Larson pointed out that "rent" also means torn apart). In 1991, he asked Aronson if he could use Aronson's original concept and make Rent his own. Larson had ambitious expectations for Rent; his ultimate dream was to write a rock opera "to bring musical theater to the MTV generation". Aronson and Larson made an agreement that if the show went to Broadway, Aronson would share in the proceeds and be given credit for "original concept & additional lyrics".
Jonathan Larson focused on composing Rent in the early 1990s, waiting tables at the Moondance Diner to support himself. Over the course of years, Larson wrote hundreds of songs and made many drastic changes to the show, which in its final incarnation contained 42 songs. In the fall of 1992, Larson approached James Nicola, artistic director of New York Theatre Workshop, with a tape and copy of Rent's script. When Rent had its first staged reading at New York Theatre Workshop in March 1993, it became evident that, despite its very promising material and moving musical numbers, many structural problems needed to be addressed, including its cumbersome length and overly complex plot.
As of 1994, the New York Theatre Workshop version of Rent featured songs that never made it into the final version, such as:
"You're a Fool"
"Do a Little Business", the predecessor of "You'll See", featuring Benny, Mark, Roger, Collins and Angel
"Female to Female A & B", featuring Maureen and Joanne
"He's a Fool"
"Right Brain", later rewritten as "One Song Glory", featuring Roger
"You'll Get Over It", the predecessor of "Tango: Maureen", featuring Mark and Maureen
"Real Estate", a number wherein Benny tries to convince Mark to become a real estate agent and drop his filmmaking
"Open Road", the predecessor of "What You Own", with a backing track similar to this in "Your Eyes"
This workshop version of Rent starred Anthony Rapp as Mark and Daphne Rubin-Vega as Mimi. Larson continued to work on Rent, gradually reworking its flaws and staging more workshop productions.
On January 24, 1996, after the musical's final dress rehearsal before its off-Broadway opening, Larson had his first (and only) newspaper interview with music critic Anthony Tommasini of The New York Times, attracted by the coincidence that the show was debuting exactly 100 years after Puccini's opera. Larson would not live to see Rent's success; he died from an undiagnosed aortic aneurysm (believed to have resulted from Marfan syndrome) in the early morning of January 25, 1996. Friends and family gathered at the New York Theatre Workshop, and the first preview of Rent became a sing-through of the musical in Larson's memory.
The show premiered as planned and quickly gained popularity fueled by enthusiastic reviews and the recent death of its composer. It proved extremely successful during its off-Broadway run, selling out all its shows at the 150-seat New York Theater Workshop. Due to such overwhelming popularity and a need for a larger theater, Rent moved to Broadway's then-under-renovation Nederlander Theatre on 41st Street on April 29, 1996. At the production's request, final touches on the theater's remodeling and renovation were put on hold before and during the run of "Rent" because the show's producers and creative team felt the unfinished look fit in well with the gritty setting of the show.
Все тексты и изображения, опубликованные в проектах Крымологии, включая личные страницы участников, могут использоваться кем угодно, для любых целей, кроме запрещенных законодательством Украины.